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Tom Johnson
Poetry Editor
POETRY BY SUSAN MEYERS
Sweeping the Porch, How She Holds Her Broom Like an Old Lover
You have stayed with me
years past your
leaving,
quiet as the
furry flight of bats.
Indiscriminately
you shadow
sunrise and dusk,
dip through
the soft evening air
from pillar to
rail,
naked to the
possibility
that I no longer care,
that
love cannot soar
in
diagonals
but
can fall
to the
grainy earth
quicker than spit.
I stand here
counting the ways
you descend
from dark corners,
nourished by
nothing more
than a voice
caught on the wing.
I think of you,
and old words
broom up like
dust in my face.
You dive into webbed days,
suck
moonlight from night.
In the metal
box by the door
junk mail comes to me
the
same willful way:
crowded, doubled over,
upside down and blind.
Selling My Mother's House
This is my last night.
To lie here on
a mattress on the floor
is to rock to
sleep a childhood
that begs for
one more hour.
Every door is
a lesson in leaving.
The house is a story
told in three
days
of measuring
worth: keep
her silver, the
whatnot,
cedar chest,
homemade cradle.
Throw out old
Christmas cards.
Free the den
doorknob
of all those
rubber bands.
Give away the
sheets, blender,
and green
plaid sofa.
Need has
nothing to do with it.
The house is an argument
of echoes and
silence.
A missing
mantel clock
articulates the
years.
I brush my
teeth to the sound
of a waterfall,
wipe my
mouth on an old washcloth,
what's left of
her linens.
I know why children put off sleep,
ask for juice
before bed.
On their bedroom wall just above
where the
nightstand used to be,
a dark spot
framed in faith.
How she got
up one August night
and sprayed a
larger and larger
circle to save
him from a mosquito
droning its
song between them
and the peace
of sleep.
How he
ducked under cover.
How this
accidental art,
what was once
mist,
barely there,
and far from beauty,
is the only sign
left.
Like the Back of My Hand
Ditches and wells,
stubbles of pale
wheat,
rivers veining the
land:
my hand in
sunlight.
In the same light
birds flock south,
veer
back in one
synchronized turn.
Who's to say
which way
feels most like
home?
They spread and
shoulder
quick decisions,
a tally of small
turns
leading them, year
after year,
in the same
direction,
leaving me, on
this day,
still staring
at my hand, once
young,
now mostly
marbled skin,
too abundant, lined
from pore to pore,
trusting
that the bones
know where to go.
These three poems by Susan Meyers have been selected from those for which she has just won
first place in the poetry category of the annual literary fellowships sponsored by the South Carolina
Academy of Authors. A resident of Georgetown, she teaches at Coastal Carolina University, where she
directs the writing center on campus. She has been writing poetry since 1988, when she and her husband
moved back to South Carolina after living in Minnesota for nine years. Her poems have appeared in such
literary magazines as The Greensboro Review, Mount Olive Review and Crucible, which in
1995 awarded her the Sam Ragan Prize.
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