![]() Tracking Invisible Scars Secret Life |
![]() Michael Ryan |
Change the word homosexuals to ambisexuals, and you'd have a fairly
good summation of the former world of Michael Ryan. He recounts his own
sexual addiction in Secret Life, and there's probably no easier
book to mock, if that's what you want to do.
Sexual biographies are, admittedly, a difficult form to master without
coming off as a self-absorbed fool. The poet Rosemary Daniell tried some
years ago in her book Fatal Flowers, a laughably smug, air-headed
recollection of Southern girlhood where every page is smothered with
Gothic melodrama and everyone but the author sounds like a cracker.
Ryan's a poet, too, and he has at least one story
where he
comes within a hair's breadth of full-scale bestiality
that,
stripped of its goofy juvenile context, makes the book look ridiculously
forthright. (Michiko Kakutani had a good time with it in a recent column
for The New York Times Magazine.) The book even ends with the
author touching on the benefits of a 12-step program.
But Ryan surmounts the reader's cynicism. The book is more engrossing
than discomfiting.
Ryan's "secret life" begins at age five, when he's molested by a seedy
local photographer. Like most abuse victims, he keeps the fact to himself,
tries to forget it and sometimes succeeds.
The effects of molestation are, of course, long-lasting; victimized
children carry the scars with them into adulthood and their own
relationships. With Ryan, the result was a sexual obsession that blossomed
in adulthood and involved just about anyone within reach when the mood
struck.
Interestingly, he doesn't dwell on it all that much
maybe all
those hypodermic jabs really do feel the same after awhile. Instead, he
tells us how he grew up: his drunken father, protective mother, dorky
brother, Catholic education, strange neighbors, his fascination with
baseball and girls. There's his teenage sexual life, too, which is the
same most boys know: Playboy in one hand, a "hydrangea-sized
Kleenex" in the other.
Ryan
who lost his
Princeton teaching post when it was discovered he was banging his own
students
broadcasts
his life and asks us to care. The odd thing is that we do. His tone is
clear-eyed, thoughtful and secure. He doesn't ask for pity, doesn't try to
look like some tough-ass survivor, doesn't jabber on about his salvation
from himself. He's more interested in giving shape to his experience. It's
no wonder that he winds up teaching autobiographical writing. Reading this
book makes you want to write your own story.
The book is less about sex than it is about Ryan's half-century
experience of growing up. This is a moving, painful and often howlingly
funny story of an American boyhood.
Rodney Welch often writes film and book reviews for POINT.